RiP: A Remix Manifesto

Pop music and our music from different genres seems untouchable, Elton John seems untouchable, you know? Obviously, they create that, they force that that idea into your mind, that the superstars are untouchable. So just being able to manipulate it and do what ever you want, put Elton John in a headlock. Just put a beat behind him, and pour a beer on his head. - Girl Talk

That’s the first of many insightful, inflammatory, memorable quotes from this open source documentary. This one comes on in the first 5 minutes and really sets the tone of the entire film, but before we dive into that a little background:

Who: Directed by Brett Gaylor, a Canadian filmmmaker. Starring many important people in the IP battle, including remix artist Girl Talk, lawyer Lawerence Lessig, author Cory Doctorow, and Brazilian musician Gilberto Gill.

What/Where: RiP: A Remix Manifesto, a documentary film about the remix movement specifically and the copyright/left issue generally.

When: Published: November 2008

The Gist

The best gist is going to be the manifesto that the name of the film comes from itself, so let’s start with that (emphasis mine):

  1. Culture always builds on the past

  2. The past always tries to control the future

  3. Our future is becoming less free

  4. To build free societies you must limit the control of the past

As you might be able to tell from the manifesto the film isn’t just about remixing music, its about the bigger issue of misuse of copyright and what this means for a free society. It accomplishes this by presenting examples that are clearly misuses of copyright (at least from the filmmaker’s perspective), across many domains from Girl Talk’s remix music to biomedical research. The documentary goes through the examples by following the manifesto as a sort of outline, with Girl Talk being the common thread throughout.

The Good

Sharing is the nature of creation, it doesn’t happen in isolation. No one creates in a vacuumi, everything comes from something else. It’s a chain reaction.

It’s impossible to not build on the works of others and the film showed how this has already been happening for centuries in the music industry already. From Led Zeppelin to Muddy Waters, everyone has influences and there is nothing wrong with that.

Corporations are completely taking over our culture and telling us that we can only consume it. And we’re saying no. We’re saying we want to create with it, respond to it, take it, mutulate, cut it up. We’re saying you don’t ask us whether I want to see billboards everywhere I go in my town, you don’t ask me if I want to see your Nike logo everywhere I go, you don’t ask me if I want to hear U2’s music everywhere I go shopping or eat at a restraunt. So why should I have to ask you to take a little bit of it and make something out of it. To make fun of you critique you. Why do I need to ask?

The Bad

Questions

Review

I think that while this documentary shows it’s age in places (some things have gotten better and others worse), it is still insightful and should serve to get anyone interested in freedom of information riled up.

In the words of Harvard Law Professor, Lawrence Lessig, when describing the state of our copyright regulations:

That’s, what’s the word? That’s fucked.

What are we going to do about it? I think that’s the big takeaway from this documentary, is that some things have actually improved (they stopped going after individuals that download music and focused on the distributors, e.g. pirate bay or Dotcom), but that’s only the beginning. We still have a lot of work ahead of us to complete part four of the manifesto.

Rating 4.5/5